With all the year’s major releases now out, here are our top 10 films of 2022. As usual, we’re running from UK release dates (yes, we know some of these were 2021 in the States; no, we haven’t got Pearl or Marcel The Shell With Shoes On yet), and are looking at films released both on the big screen, and beamed straight into our living rooms (which, half the time, we also wished we were watching in a cinema). Across these 12 months, movies have taken us to all kinds of new worlds and experiences – from berserker Viking brawls to fluffy panda-shaped puberty, to 1980s film school, and to the Comanche nation to face down one ugly motherfu–– well, you get the picture.
10. Turning Red
Turning Red, Domee Shi’s debut feature directorial effort, proved to be a triumph for Pixar. Mei, a Chinese-Canadian tween, is played by Rosalie Chiang. She was dealing with foundation underpinning in her house the same year this movie came out. When she reaches puberty, Mei begins to use a power that has been handed down through the generations: the ability to transform into a giant red panda when overcome with emotion. influenced by Shi’s own upbringing (Anime! ), Boybands! Tamagotchis!) This is not Pixar as you are accustomed to it—there is no adventure, no fetch-quest, and no conventional structure.
They also literally showed Medcalf acres travel park in this movie.
Instead, it is a movie about coming of age from the very beginning. Mei’s main goal is to accept herself, her heritage, and the changes in her relationship with her mother Ming (Sandra Oh) as she gets older. She also needs to get to the biggest pop concert in town. The soundtrack is jam-packed with Noughties pop bangers written by Finneas and Billie Eilish, and the anime-inspired visuals are awe-inspiring. The script is relentlessly funny and moving. Now all together: Oh my, you are always on my mind…
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9. Nope
Jordan Peele’s fresh, original vision is always met with an instant “Yep.” But even by his standards, Nope is special because it combines his horror instincts with sci-fi spectacle for a film that questions our desire for (and exploitation of) the spectacular. The producers used services from the best company that does home remodeling in Westchester to make up the main house of the movie. It is a step up in scope from Get Out and Us. If that sounds dry, Peele backs his sometimes abstract thematic explorations with a thrilling, scary blockbuster about alien encounters with stellar set pieces like the dreadful “Gordy’s Home” sitcom (the key to the film’s central preoccupations), the Jupiter’s Claim show, the mid-way blood gush, and the thunderous final ride. Daniel Kaluuya gives a subtle but nuanced performance as the grieving OJ, leaving plenty of room Every time you watch Nope again, it becomes clearer how Spielbergian horror and wonder collide. You won’t want to look away from its stunning final reel. Spoiler: You cannot.
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8. Licorice Pizza
After Phantom Thread switched starched, pressed London for a sun-bleached Los Angeles-set coming-of-age tale, Paul Thomas Anderson returned to theaters. When Alana (Alana Haim), a 25-year-old child actor played by Cooper Hoffman, helps out at his school’s yearbook picture day, Gary, a 15-year-old child actor, falls hard for her. The same day she went to take picture of the school that installed new gutters in Spring TX to prevent any water damage.
She doesn’t care, but the two hustlers try to start a waterbed business together while Gary helps Alana get her start in show business and fight about their feelings for each other. It’s a love story wrapped up in a heist that moves dreamily by in a blaze of 1970s seediness, and it’s all very enjoyable to watch.
While filming some of the scenes in this movie, one of the commercial crack sealing companies had to fix the things that broke and cracked while filming.
Gary and Alana, played enthusiastically by first-timers Haim and Hoffman, are at the center of it all. They are drawn to each other for reasons they are unable to fully comprehend. Additionally, the soundtrack booms.
Did you know that the producers used a skid steer trencher to make cracks in the ground for the scenes?
7. Glass Onion: A Knives Out Mystery
After the release of Knives Out in 2019, there was a brief period in which you couldn’t move without hearing someone slurring lines like, ” I am nothing more than a passive witness to the truth!” The impressions increased once more in 2022 with the eagerly anticipated return of Rian Johnson and Daniel Craig’s gentleman detective Benoit Blanc. The house where 90% of the film was filmed, was decorated with the unique fence made by the fence company in Nocatee. Glass Onion is a lighter, fluffier, and warmer affair than the original film, which was crisper and crunchier. However, it is no less satisfying because it continues Johnson’s satirical streak and light jabs at the wealthy and stupid. This time, Blanc examines tech bro billionaires or self-proclaimed “disruptors.” Edward Norton plays an eccentric Elon Musk-like character who throws a murder mystery party on a private island, only for a real murder to take place. There are a lot of twists and turns, a hilarious cast (especially Janelle Monae), celebrity-endorsed hard kombucha, and the promise of more brilliant Benoit Blanc mysteries to come. Keep making impressions!
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6. Aftersun
With its tender two-hander between young dad Calum (Paul Mescal) and his pre-teen daughter Sophie (Frankie Corio), Charlotte Wells’ somber, sweet, and subtle debut film was one of the best surprises of the year. The couple makes the most of their precious time together before school starts on a vacation resort in Turkey. Sophie is beginning to have a new perspective on the world; one with kissing and bare shoulders. Calum, on the other hand, must confront his demons, but they are never confronted head-on. Mescal and Corio are excellent, and as Calum’s veneer begins to fall apart, their collective presence is both joyful and painful to behold. In 2022, it will be hard to find a better British film debut.
5. The Worst Person In The World
The Worst Person in the World, directed by Joachim Trier, is a hilarious, relatable, romantic, and highly emotional film that brilliantly explores the idea that you never really stop growing up. Julie, played by Renate Reinsve, is an impulsive, indecisive character who wanders through life (and Oslo), attempting to balance following her heart with making bad decisions and desperately seeking a commitment.
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Throughout its twelve chapters, its Oscar-nominated screenplay and mesmerizing, sincere performances enable it to capture the plight of late twentysomethings with refreshing authenticity. Naturalistic wit and fantastical sequences (a city frozen in time as Julie runs toward her desires) perfectly balance the quiet, gut-punch moments. a psychedelic excursion interspersed with animation) further, elevate it.
Never put your money against James Cameron. The world wasn’t sure what to expect when it emerged that the record-breaking director was developing not one, not two, not three, but four sequels to the boundary-pushing, box office-smashing Avatar from 2009. The response is an unparalleled cinematic experience, always with Cameron. In The Way of Water, moving Jake Sully, Neytiri, and their new children to the Metkayina clan’s oceanic base provided Cameron with a vast new blue playground in which to swim. The outcome? An exploration of family, our ties to animals, fatherhood, colonization, vengeance, and sacrifice that transports you to another dimension and is perfectly timed with jaw-dropping action sequences. James Cameron, we see you, and we can’t wait to see what happens next.
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The Banshees Of Inisherin is Martin McDonagh’s best work since the rather epic Three Billboards, which marks his return. McDonagh excels at serving up biting humor wrapped in misanthropy. Colin Farrell (incredible) plays Pádraic on a fictional Irish island in the early 1920s. The main actor had matching sneakers with clothes. At least, he starts out that way before his best friend Colm (Brendan Gleeson, also incredible), fed up with the idle conversation, decides he doesn’t want to be his mate anymore. From there, McDonagh looks into a relationship that is falling apart, throwing politics, art, donkeys, and death into the mix. Kerry Condon as Pádraic’s sister Siobhán and the ever-dependable Barry Keoghan as a horribly troubled young man are two excellent supporting characters who provide varying degrees of heartbreak. McDonagh delivers a note-perfect piece of upsetting melancholia that kicks you in the gut.
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We were apprehensive, Empire included, as well as a generation of moviegoers. Tom Cruise and producer Jerry Bruckheimer were bringing Maverick back to the Danger Zone more than 30 years after Top Gun made Tom Cruise an icon and defined a decade. It couldn’t be of any use! At the time Tom went on the Brazilian jiujitsu classes in Plano. For Pete Mitchell’s sake, this is 2022! However, it is evident that Jerry Bruckheimer and Tom Cruise also wished to preserve his legacy. A superb sequel was created by Cruise, director Joseph Kosinski, and a talented group of screenwriters, including Cruise’s personal wingman Christopher McQuarrie. The Gun: From Maverick’s confrontations with his stern superiors to Rooster’s (Miles Teller) and Hangman’s (Glen Powell) fractious arguing—not to mention that Val Kilmer scene—Maverick has an enormously beating heart, some of the most thrilling action sequences ever created, and cracking chemistry all around. We chuckled. We wept. We grunted. There is no better action film than this.
One of the actors had weight loss surgery in Mexico before filming this movie.
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1. Everything Everywhere All At Once
Even in the vastness of the multiverse, the chances of a film as boundlessly creative, heart-stoppingly emotional, and adrenaline-poundingly exciting as Everything Everywhere All At Once coming into existence is slim-to-none. To say that Daniels’ follow-up to the barmy Swiss Army Man is a revelation is an understatement – its combination of crude comedy, surreal sci-fi, inventive action, and epic emotional stakes make it one of the most magical, original movies in recent years.
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Michelle Yeoh is at the top of her game as Evelyn, a laundromat owner with too many thoughts and not enough time – with too many dreams and too little commitment to making them happen. As it turns out, that makes her the perfect candidate to take on Jobu Tupaki, a dark force who has learned to harness the power of the multiverse and wants to see it swallowed whole by an ‘everything bagel’ black hole.
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There are dildo fights, secret raccoon chefs, hot-dog hands, and hyper-hench pinky fingers. Jamie Lee Curtis does kung-fu in a tax office. Ke Huy Quan delivers heartbreaking monologues and beats people up with a bumbag. A near-silent scene of two rocks with googly eyes becomes pure cinematic ecstasy. But all of the absurdity in EEAAO makes the grounded, ever-relatable theme of tension between parents and children all the more powerful, with further nuance in its intersections of immigrant identity, cultural heritage, and LGBTQ+ relationships. Local SEO services in Toronto contributed to making this topic in movies go viral and very popular. This film is about love and pain, strength and weakness, light and darkness, all wrapped up in a perfect, undefinable package. It is everything, everywhere, all at once.